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“There are cool cats and there are cool Memphis cats but no one, not
Elvis, not Jerry Lee, not even the Wolf came close to epitomizing Memphis
and cool like Jim Dickinson did. He was the Top Cat Daddy, an
inspiration, a mentor and my friend.

If you knew his music and understood his role as one of the links between
black and white culture and between blues and rock and roll, you know what
I'm talking about. If he is unfamiliar to you, now's as good time as any
to get to know him, even though he's checked out of the motel.”

--Joe Nick Patoski


For more about Jim go to
http://www.zebraranch.com
http://joenickp.blogspot.com/2009/08/james-luther-dickinson.html

Sunday, July 24, 2011

"For Your Love"



In the mid-sixties in Memphis, Ronnie Jordan was a singer/songwriter who had a recording band called the Honey Jug and a contract with Stax's pop label, H.I.P. Being a friend of Jim's, Ronnie recorded the single at "old" Ardent on National, with Jim producing and John Fry engineering. One critic called it, "a killer Memphis 45."

The personnel on the "For Your Love/In 1852 We" single is as follows:

Ronnie Jordan-vox
Jim Dickinson, Tommy Duncan-keys
Frank Watts-guitar
Joe Savage-bass
Joe Correro Jr., Charles Carrington-drums

Here's what Jim said in an interview:

"That's a hell of a track on 'For Your Love.' The whole time I was cutting that it sped up too much, probably my damned idea. That's Joe Jr. Correro on drums. 'For Your Love,' which was supposedly the A-side of that record, was the song that Ronny cared about."

John Fry commented, "We had a good time recording that song."

As fan Frank Bruno pointed out, "You can hear JD screaming, 'For your love' during the middle and end of the song."

"For Your Love" will be on the Memphis Psych compilation that Alec Paleo of Ace Records is putting together to be released soon.

World Boogie is coming!


Wednesday, July 20, 2011

Jim Dickinson- running with the big dogs!


In April, 2011, Memphis Magazine celebrated its thirty-five year milestone with "a lengthy photo essay, one that features thirty-five individuals whose influence, we determined, was critical to the growth and evolution of our city during the period of Memphis magazine existence." Luther, Cody, and I were thrilled to hear that Jim was included in this list of luminaries which included Jack Belz, Steve Cohen, William Eggleston, Kallen Esperian, Shelby Foote, Al Green, Karen Carrier, Henry Turley, J.R. "Pitt" Hyde, Fred Smith, and Justin Timberlake, among others. What an honor for Jim and our family.

Here's what Memphis magazine had to say about Jim:

"When he passed away in 2009, this underground godfather of modern Memphis music was the scene's most colorful commentator. With roots that reached back to jug bands and Sun records, Dickinson came of age in the garage-rock and folk revival '60s, presided over the birth of alternative music with Alex Chilton in the 70s, hung with Dylan and the Stones, did major work during the generally fallow '80s, and sired a promising new generation of Memphis music, both in his family (sons Luther and Cody of the North Mississippi Allstars) and in his home studio (Lucero, Alvin Youngblood Heart, Amy Lavere). He also found time to make some pretty fine records of his own. Dickinson contained multitudes. And he could tell you all about it."

Here's one of my favorite recording of Jim's music- a tribute that Oxford's Thacker Mountain Radio show compiled to honor Jim's work as the leader of their house band, the Yallowbushwhackers.
This is fifty-nine minutes of the most free and joyous arrangements Jim ever recorded. Enjoy!

"World boogie is coming!"