"
….I called Crosthwait and asked
him if he had ever thought about playing the washboard. We went to a hardware
store down by Memphis State and got a Zinc King washboard and half a dozen
sewing thimbles to use as picks. We drafted our friend George Gillis who had played bass on my Home of The
Blues session to play wash tub and the New Beale Street Sheiks were born.
We rehearsed once, played a gig Friday night at The Pastimes
Peanut Bar, and showed up at Sam Phillip’s Studio Saturday morning for the
session. Nobody was there except Scotty Moore, Bill Black, and Rowsey,
the repair man. Justis had failed to nail down the booking for the
session, and Scotty wasn’t buying it. We looked pretty bad.
Crosthwait had hair trailing down his back and Gillis and I were hung
over. I told Scotty to call Justis in Nashville, which he did. After he got off the phone, Scotty okayed the
session and it fell to Rowsey to engineer. I found out later it was his
first and only session. We set up around a couple of RCA 77s and laid
down four songs as fast as we could. While we were cutting, Bill Black
was calling people on the phone and having them come over and laugh at us from
the control room.
When we finished Bill
Black was shaking his head. “Dickinson, this is the wildest thing you’ve
ever done,” he chuckled."
(From The Search for Blind Lemon copyright by Jim Dickinson)
