“There are cool cats and there are cool Memphis cats but no one, not
Elvis, not Jerry Lee, not even the Wolf came close to epitomizing Memphis
and cool like Jim Dickinson did. He was the Top Cat Daddy, an
inspiration, a mentor and my friend.

If you knew his music and understood his role as one of the links between
black and white culture and between blues and rock and roll, you know what
I'm talking about. If he is unfamiliar to you, now's as good time as any
to get to know him, even though he's checked out of the motel.”

--Joe Nick Patoski

For more about Jim go to

Sunday, January 31, 2016

Blues and Ballads - A Folksinger's Songbook

"Blues and Ballads- A Folksinger's Songbook" is Luther's new solo release on New West Records. NPR Music has chosen a cut off it called "Ain't No Grave" to be included in their "Songs We Love" section. It's a moving and informative essay and you can imagine how this song touches our hearts.

From NPR Music:

On "Ain't No Grave," a track from his new solo album, the singer-guitarist Luther Dickinson stares death right in the face, quite literally. The song's opening words are "I looked death dead in the eye as he passed me by." But the frontman for the North Mississippi Allstars isn't indulging in morbidity; he's delivering a deeply felt tribute to his late father, James Luther "Jim" Dickinson.

Jim Dickinson was a larger-than-life figure in American music, active in rock, blues and R&B from the 1960s until his passing in 2009. As a producer and musician, he worked with everyone from Aretha Franklin and the Rolling Stones to The Replacements and Big Star, ultimately becoming an institution in his hometown of Memphis. "Ain't No Grave," first appeared on the 2011 Allstars LP, Keys to the Kingdom, in an electrified, full-band arrangement. But for Blues & Ballads (A Folksinger's Songbook: Volumes I & II), Luther strips things down, embracing the low-key balladeer format implied by the album's title. His re-recording of the song, with an assist from the legendary soul singer Mavis Staples (of the Staples Singers), follows suit.

"One morning shortly after my father passed I woke up and wrote 'Ain't No Grave' before I even turned on my light," says Luther. "The words coming out as fast as I could write them. Mavis and I planned to cut another song but we decided to record 'Ain't No Grave' when she teared up reading the lyrics. What you hear is the first and only take."

In his trademark husky tones, Luther sings of Jim's courage in facing death, his mother's steadfastness in her husband's time of strife, and seeing his father's likeness in his own child's face. He punctuates these observations with a refrain quoting the Claude Ely-penned gospel song that became a folk-blues standard, and which shares a title with Dickinson's tune. Ely's song takes on the perspective of a dead or dying man, while Dickinson's offers the view of the loved ones left behind. The addition of Staples' gospel-schooled voice on those choruses adds an extra level of gravitas.

And preacher/songsmith Ely isn't the only songwriter quoted here. When Luther sings, "It has been my fortune to know truly great men and hear the music of the spheres" on the tune's bridge, he's not exercising poetic license; it's a line taken directly from the message his father wrote in a farewell note to the world, right before death. But like the narrator in Ely's song, Jim Dickinson was too big a presence to be obliterated from our earthly realm. Or as his son's song succinctly puts it, "Ain't no grave hold this body down."

Blues & Ballads (A Folksinger's Songbook: Volumes I & II) is out February 5 on New West Records.

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