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“There are cool cats and there are cool Memphis cats but no one, not
Elvis, not Jerry Lee, not even the Wolf came close to epitomizing Memphis
and cool like Jim Dickinson did. He was the Top Cat Daddy, an
inspiration, a mentor and my friend.

If you knew his music and understood his role as one of the links between
black and white culture and between blues and rock and roll, you know what
I'm talking about. If he is unfamiliar to you, now's as good time as any
to get to know him, even though he's checked out of the motel.”

--Joe Nick Patoski


For more about Jim go to
http://www.zebraranch.com
http://joenickp.blogspot.com/2009/08/james-luther-dickinson.html
Showing posts with label James Luther Dickinon Jim Dickinson Memphis International music Baldwin Piano Gibson guitars Rolling Stones Cody Luther Zebra Ranch North Mississippi Allstars. Show all posts
Showing posts with label James Luther Dickinon Jim Dickinson Memphis International music Baldwin Piano Gibson guitars Rolling Stones Cody Luther Zebra Ranch North Mississippi Allstars. Show all posts

Saturday, June 4, 2011

Can you dig it?

Here's Jim, playing with Luther and Cody, Paul Taylor on bass, and sax man extraordinaire, Jim Spake, rocking out on Beale Street, August, 1999, at the Southern Heritage Festival.

http://www.youtube.com/watch?v=Puz8GGJQzng

World boogie is coming!

Tuesday, January 11, 2011

gods of Memphis

"Find the album "Negro Streets at Dawn," by Mudboy and the Neutrons, and play "Money Talks." There the gods of Memphis walk among us, and Jim Dickinson delivers a sermon like the risen Howlin' Wolf, "I want you to reach out, put your hands on the radio. Can you feel it?"  This is where the soul of man puts on its high heel sneakers and shakes like little Ginny."

-Howard Hampton, New York Times, July 25, 2010

  03 Money Talks by Jim Dickinson's Legacy

Monday, November 22, 2010

"One More Silver Dollar...." The legacy continues tonight.

     In the fall of 1970 at Criteria Studio,  Jim wrote this in his memoir, The Search for Blind Lemon,  

    "The Allman Brothers were in Studio “A” working on their second Atlantic/Capricorn album.  It was really good.  (They recorded live instrumental tracks and overdubbed leads and vocals).  One of their drummers, Butch Trucks, had done his first session at Ardent on  National.  I remembered him.  I don’t think he remembered me.  Duane was super friendly, as usual, and this was the first time I met little brother, Greg, whose voice still held traces of the great John Hurley, who had trained them in Nashville.... 

     Tonight, November 22, 2010, forty years after the above story was written, Jim's greatest legacy, sons Luther and Cody Dickinson, are part of a concert in New York at the Roseland Ballroom honoring Allen Woody, as described by Kevin Johnson in no treble:

    "After bassist Allen Woody‘s untimely passing in 2000, a tribute concert called “One for Woody” was held to honor him, featuring the Allman Brothers Band, Phil Lesh & , ,Friends and more. Now, ten years after the original concert, a second show aptly titled “Another One for Woody” will take place to honor the fallen four-stringer and raise money for music education in schools. The concert will have Woody’s two main bands, the Allman Brothers and Gov’t Mule, headlining with The North Mississippi Allstars Duo in support. The event promises to be a night to remember, as it will also include “many special guests who were touched by Allen’s friendship, music and memory.”

    "When the Allstars first started we toured a lot with Gov't Mule," said Luther Dickinson.  "We loved it when Woody would sit in and play with us."

    Don't miss Cody's account of this gig on his blog, my mind is rambling,  http://www.codydickinson.tumblr.com/  It will touch your heart.

   The beat goes on....

Monday, November 15, 2010

Children's Music

"I've always viewed rock and roll as children's music."
-Jim Dickinson


Cody Dickinson (3) Luther Dickinson (6)
Christmas, 1979, Arrow Crest Farm


09 Can t Beat the Kid (Part 2) by Jim Dickinson's Legacy

"You Can't Beat The Kid" Jim Dickinson, keyboards, vocals, Luther, guitar;
Cody, drums; featuring Alvin Youngblood Hart, guitar

Saturday, October 30, 2010

Life with Keith Richards


Three years after Keith's ill-fated, cop-ridden stop at the 4 Dice Cafe in
Fordyce, Arkansas, July, 1975, Jim Dickinson apologized for advising Keith
to take the trip. Keith laughed, "No, man. That was the most fun I ever
had."

Read all about it in Chapter One of Keith's new autobiography, Life.

Monday, October 25, 2010

"Somewhere Down the Road" from Jungle Jim and the Voodoo Tiger

"Jungle Jim and The Voodoo Tiger is the third studio album in 34 years from pianist/vocalist/bandleader/producer/session player/raconteur/cultural iconoclast Jim Dickinson. Actually, the album, like the two that preceded it, is credited to Jim's artist alter ego, James Luther Dickinson.

Over the course of the past 40 years, Dickinson has worked in the studio with such artists as Ry Cooder, the Rolling Stones, Aretha Franklin, Arlo Guthrie, Sam & Dave, Big Star, Tony Joe White, Bettye Lavette, the Replacements, Duane Allman, Johnny Cash, Bob Dylan, and many more. Jungle Jim & The Voodoo Tiger was produced by Dickinson and Memphis International's David Less, the two having earlier collaborated in producing Alvin Youngblood Hart's Grammy nominated Down In The Alley and Harmonica Frank Floyd's The Missing Link for the label. Before all this, Jim was a member of The Jesters, whose "Cadillac Man" was the last record released on Sun Records while Sam Phillips was still running the show.

Jungle Jim and The Voodoo Tiger is a set of songs that Dickinson has collected over the years in, as he puts it, 'the jukebox of my mind,' plus some new songs by writers he greatly admires. Backing is by sons Cody (drums) and Luther (guitar) of North Mississippi Allstars fame, along with Alvin Youngblood Hart (guitar). Bass duties are shared by Paul Taylor (electric bass) who was part of the band DDT with Dickinson boys and Amy LaVere (stand-up bass) whose own album This World Is Not My Home has been making waves of late.

Recorded in less than two weeks at the Dickinson family's Zebra Ranch studio in rural Independence, Mississippi, the album songs range from rollicking barrelhouse ("Hadacol Boogie," "Rooster Blues") to stinging social commentary ("Red Neck, Blue Collar," penned by legendary folkie Bob Frank) to contemplative and atmospheric ("Violin Burns"). Song highlights include "Somewhere Down the Road," written by Chuck Prophet from Green on Red and a honky tonkin' rendition of the Memphis classic "White Silver Sands" with the sly soul of "Love Bone" and "Can't Beat The Kid."

Says Jim Dickinson, who is often James Luther Dickinson's harshest critic: 'I'm real happy with it; it's a damn good record for eleven days!'"

from Dish Magazine



10 Somewhere Down the Road by Jim Dickinson's Legacy