"Jungle Jim and The Voodoo Tiger is the third studio album in 34 years from pianist/vocalist/bandleader/producer/session player/raconteur/cultural iconoclast Jim Dickinson. Actually, the album, like the two that preceded it, is credited to Jim's artist alter ego, James Luther Dickinson.
Over the course of the past 40 years, Dickinson has worked in the studio with such artists as Ry Cooder, the Rolling Stones, Aretha Franklin, Arlo Guthrie, Sam & Dave, Big Star, Tony Joe White, Bettye Lavette, the Replacements, Duane Allman, Johnny Cash, Bob Dylan, and many more. Jungle Jim & The Voodoo Tiger was produced by Dickinson and Memphis International's David Less, the two having earlier collaborated in producing Alvin Youngblood Hart's Grammy nominated Down In The Alley and Harmonica Frank Floyd's The Missing Link for the label. Before all this, Jim was a member of The Jesters, whose "Cadillac Man" was the last record released on Sun Records while Sam Phillips was still running the show.
Jungle Jim and The Voodoo Tiger is a set of songs that Dickinson has collected over the years in, as he puts it, 'the jukebox of my mind,' plus some new songs by writers he greatly admires. Backing is by sons Cody (drums) and Luther (guitar) of North Mississippi Allstars fame, along with Alvin Youngblood Hart (guitar). Bass duties are shared by Paul Taylor (electric bass) who was part of the band DDT with Dickinson boys and Amy LaVere (stand-up bass) whose own album This World Is Not My Home has been making waves of late.
Recorded in less than two weeks at the Dickinson family's Zebra Ranch studio in rural Independence, Mississippi, the album songs range from rollicking barrelhouse ("Hadacol Boogie," "Rooster Blues") to stinging social commentary ("Red Neck, Blue Collar," penned by legendary folkie Bob Frank) to contemplative and atmospheric ("Violin Burns"). Song highlights include "Somewhere Down the Road," written by Chuck Prophet from Green on Red and a honky tonkin' rendition of the Memphis classic "White Silver Sands" with the sly soul of "Love Bone" and "Can't Beat The Kid."
Says Jim Dickinson, who is often James Luther Dickinson's harshest critic: 'I'm real happy with it; it's a damn good record for eleven days!'"
from Dish Magazine
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